The Igbo people are an indigenous ethnic group located in southeastern Nigeria, in the regions of Abia, Anambra, Ebonyi, Enugu, and Imo States. The large ethnic groups of the Igbo people also live in other countries in Africa, such as Gabon, Cameroon, and Equatorial Guinea. Their cultural practices, traditions, customs, attire, music, and dances make the Igbo culture ethnically special. Their ethnic subgroups, however, are quite diverse. What about Igbo marriage and love?

Let us look at cultural ideas and social expectations about love that were prevalent in the late 1990s in Igbo-speaking Nigeria. The focus on kinship, marriage, and fertility is particularly important in this regard (Smith, 2001).

The Igbo Marriage

Igbo culture is patrilineal, and lineage exogamy is the norm in marriage. Marriages were often arranged by families and formed alliances between neighboring towns. Although it was never wrong for either men or women to reject potential spouses, doing so was often difficult due to social pressure to live up to expectations from the wider community and extended family.

The Igbo Love for Marriage

Before the Igbo people started to agree that marriage should be based on love, love was just a cultural idea and ideal.

But girls ran away to avoid certain marriages, and men went against their parents’ wishes and married the woman they wanted. A conflict between arranged marriage and personal choice always occurred. Folklore myths and fables tell stories of men and women who did things out of love.

Modern young Igbo men and women of the 1990s in Nigeria were more likely to choose their own spouses than their parents and grandparents. Romantic love and emotional closeness were two of the most important qualities to look for in a partner. In modern Igboland, most young people choose their own spouses, and almost all of those still in school expect this to be the case.

Choosing a spouse has become more and more a matter of personal choice. Romantic ideals put a high value on courtship patterns. Christian wedding ceremonies were becoming increasingly important to both young men and women.

Few marriages were strictly arranged in those days. A young couple who were in love and wanted to get married could often outlast their parents. The vast majority of young people get married on their own. But when a man and a woman actually got married, their extended families and communities joined them.

A lot of young people were still married to their mates from their own towns. More and more marriages were happening across traditional intra-Igbo cultural lines. And these marriages became more acceptable (Smith, 2001).

The Ideals of Romantic Love Among the Igbo People of Nigeria

The cultural ideas of romantic love were emerging among Igbo young men and women in the 1990s.

For example, the Nigerian film industry recently produced the popular film Taboo, which tells the story of a young Igbo woman from a royal family who falls in love with an osu. The osu people are the descendants of ritual slaves and fit the stereotype of being polluting and dangerous. People feared and despised the osu. The descendants of osu inherited their ritual duties and stigma. Many educated young Igbos had seen Taboo and were aware of the dilemmas of osu who fell in love with diala (freeborn).

“Taboo is a story about an osu-diala love affair, and the social consequences as the couple confronts entrenched prejudices. The daughter of an Igbo traditional ruler (eze) and a young osu man meet and fall in love at a university. Not surprisingly, the girl’s father vehemently rejects the idea that his daughter could marry an osu. In a twisting plot, the young osu man ends up saving the eze from a fatal palace coup engineered by one of his disgruntled wives. The osu becomes a hero, but he does not get the girl because he is killed in another valiant confrontation with evildoers, and the eze’s daughter is left to mourn her lover.”

(Smith, 2001, p.137).

According to Smith (2001), a few love affairs between osu and diala could lead to marriage in real life. However, the film represented and reinforced Igbos’ growing fascination with romantic love. People’s sympathies are with the lovers. Love does not conquer all in Taboo, but it does provide a space of freedom from traditional social conventions. The film Taboo, as well as other forms of media, promote romantic love and the individual choice of marriage.

Love in Igbo Marriage

Modern Igbo marriages welcome partnership and companionate love. An evolving concept of marriage emphasizes the intimate bonds between husband and wife. The young couple transitions from loving lovers in courtship to parents in marriage.

However, despite these transformations in modern marriage, Igbo people still rely on family and affine relationships. Marital sustainability depends on childbearing. Extended families still have a big influence at this point. Their approval and support are crucial for successful marriages.

The Importance of Fertility in Igbo Marriages

The family interests of Igbo people still focus on marriage and fertility. Successful parenting is viewed as fundamental to the full personality of the Igbo woman and man (Fortes, 1978). In Igbo-speaking Nigeria, gender relations, romantic love, and scripts of relationships have changed from traditional to modern in recent decades. (van der Vliet, 1991).